“Take the Lead” is an urban fairy tale that is blended with being a, mostly, true story. This is a heady cocktail indeed when Pierre Dulaine, the man upon whom the story is based, is there himself!
The story begins in the early 2000s when we witness Pierre, played by the suave and debonaire Tam Mutu, is coaching a contest for elite dancers from a school he runs with his partner, in business and life, Alan (Matthew Risch). He chooses to put in his aces rather than one of his struggling students leading Alan to think Pierre is all about the hardware (trophies) rather than the development of dancers. There is a falling out and Pierre is determined to show Alan his mettle. When Pierre meets the beleaguered Interim-Principal Arianna Rey (Adrienne Bailon-Houghton) you know that while they meet at the intersection of Rock and Hard Place, they will make great change together. Ms. Bailon-Houghton has a most impressive showing in “Hold, Please” that is likely to remain with you long after the show. She is brilliant.
While this sounds like a predictable trope, done in different ways with different topics, this story is based on truth. When Pierre has a chance encounter with an urban kid Jason “Rock” Rockwell (Vincent Jamal Hooper) then the fun begins.
Robert Cary and Jonathan Tolin’s book with Elliah Heifetz and Zeniba Now’s score lightly touches on some very heavy topics. If you’re familiar with the film then this new musical will be a different experience. The stars of the show are how being vulnerable, sharing gifts and combining art and artists can raise the vibe for everyone and a rising tide raises all ships. The time is always NOW for that kind of inspiration.
Christopher Gattelli as Director/Choreographer with Maria Torres and Jennifer Weber adding ballroom and hip-hop grace notes, the talent and verve of this youthful cast burst out onstage. Savy Jackson’s La Rhette is so sharply limned and beautifully acted that with Mr. Hooper’s Rock, it’s a classic frictive sparks on the way to love scenario. Their scene in the second act is so beautifully done that it’s possible to believe in love in the world.
Tam Mutu is a dance master who taps into both zeitgeist and Zen and his Pierre has several key moments where he sees through other’s eyes. Seeing Pierre Dulaine in the audience during intermission gently wiping tears from his eyes gives you an idea of the impact of this show. See it for the music, the dancing, the brilliance of the cast, and give yourself something wonderful.
This show runs only through April 27, so grab your fans of dance and romance. Visit papermill.org to get your tickets for a Spring to remember.